Performances
& Events
April 6, 2025
Virginia B. Toulmin Commission Concert
Angel Lam, Let there be a paradise…
Quad City Symphony Orchestra
Link: https://qcso.org/event/masterworks-vi-rhapsody-in-blue/
The Virginia B. Toulmin Foundation Orchestral Commissions Program for women composers is an initiative of the League of American Orchestras, in partnership with American Composers Orchestra (ACO) and supported by the Virginia B. Toulmin Foundation. Selected composers are previous participants in ACO's EarShot Readings.
The League and ACO have established two 30-orchestra consortiums, each supporting commissions by six women and nonbinary EarShot alumni. Each composer writes a 6–8 minute orchestral work and develops an educational or community-focused program presented in partnership with each orchestra. In the 2024-25 season, 10 composers have their works performed by 15 orchestras across the U.S.
Let there be a paradise... was commissioned by the League of American Orchestras with the generous support of the Virginia B. Toulmin Foundation.
April 6, 2025
Virginia B. Toulmin Commission Concert
Angel Lam, Let there be a paradise…
Let there be a paradise... was commissioned by the League of American Orchestras with the generous support of the Virginia B. Toulmin Foundation.
May 8, 2025, 10:30 AM - 1:00 PM
CoLABoratory Workshop
American Composers Orchestra
Benzaquen Hall at DiMenna Center
New York City, New York
Quintet: Violin, viola, cello, bass, percussion + electronics
Featured Artists and Works
Horacio Fernandez, New Work (ACO Commission, developed via EarShot CoLABoratory)
Kian Ravaei, New Work (ACO Commission, developed via EarShot CoLABoratory)
CoLABoratory Workshop
Featured Artists and Works
Horacio Fernandez, New Work (ACO Commission, developed via EarShot CoLABoratory)
Kian Ravaei, New Work (ACO Commission, developed via EarShot CoLABoratory)
May 12-13, 2025
EarShot Readings: Lawrence University Symphony Orchestra
Appleton, WI
Michael Clayville, Conductor
Via EarShot, Lawrence University will workshop scores that fall outside of typical performance and notation standards including graphic scores, scores that engage improvisation, and scores with other components that are non-typical to Western musical notation. Selected works include those for open instrumentation (scores that can be read by any configuration of instruments), compositions that integrate "shape note" notation, and works that require light improvisation. Selected composers - Alicia Castillo, Matthew Mason, Lila Meretzky, and Logan Rutledge - will receive individualized feedback from mentor composers Marcos Balter, Joanne Metcalf, and Asha Srinivasan.
Artists will return to Lawrence University in January 2026 to participate in EarShot Readings where they will develop these compositions for the Lawrence University New Music Ensemble.
May 12-13, 2025
EarShot Readings: Lawrence University Symphony Orchestra
Appleton, WI
Michael Clayville, Conductor
Via EarShot, Lawrence University will workshop scores that fall outside of typical performance and notation standards including graphic scores, scores that engage improvisation, and scores with other components that are non-typical to Western musical notation. Selected works include those for open instrumentation (scores that can be read by any configuration of instruments), compositions that integrate "shape note" notation, and works that require light improvisation. Selected composers - Alicia Castillo, Matthew Mason, Lila Meretzky, and Logan Rutledge - will receive individualized feedback from mentor composers Marcos Balter, Joanne Metcalf, and Asha Srinivasan.
Artists will return to Lawrence University in January 2026 to participate in EarShot Readings where they will develop these compositions for the Lawrence University New Music Ensemble.
May 17, 2025
Virginia B. Toulmin Commission Concert
Karena Ingram, TBD (World Premiere)
Memphis Symphony Orchestra
The Virginia B. Toulmin Foundation Orchestral Commissions Program for women composers is an initiative of the League of American Orchestras, in partnership with American Composers Orchestra (ACO) and supported by the Virginia B. Toulmin Foundation. Selected composers are previous participants in ACO's EarShot Readings.
The League and ACO have established two 30-orchestra consortiums, each supporting commissions by six women and nonbinary EarShot alumni. Each composer writes a 6–8 minute orchestral work and develops an educational or community-focused program presented in partnership with each orchestra. In the 2024-25 season, 10 composers have their works performed by 15 orchestras across the U.S.
This work was commissioned by the League of American Orchestras with the generous support of the Virginia B. Toulmin Foundation.
May 17, 2025
Virginia B. Toulmin Commission Concert
Karena Ingram, TBD (World Premiere)
This work was commissioned by the League of American Orchestras with the generous support of the Virginia B. Toulmin Foundation.
June 1, 2025
Virginia B. Toulmin Commission Concert
Gity Razaz, Methuselah (In Chains of Time)
Berkeley Symphony
The Virginia B. Toulmin Foundation Orchestral Commissions Program for women composers is an initiative of the League of American Orchestras, in partnership with American Composers Orchestra (ACO) and supported by the Virginia B. Toulmin Foundation. Selected composers are previous participants in ACO's EarShot Readings.
The League and ACO have established two 30-orchestra consortiums, each supporting commissions by six women and nonbinary EarShot alumni. Each composer writes a 6–8 minute orchestral work and develops an educational or community-focused program presented in partnership with each orchestra. In the 2024-25 season, 10 composers have their works performed by 15 orchestras across the U.S.
In Chains of Time was commissioned by the League of American Orchestras with the generous support of the Virginia B. Toulmin Foundation.
June 1, 2025
Virginia B. Toulmin Commission Concert
Gity Razaz, Methuselah (In Chains of Time)
In Chains of Time was commissioned by the League of American Orchestras with the generous support of the Virginia B. Toulmin Foundation.
June 5–6, 2025
EarShot Readings: American Composers Orchestra
Neidorff-Karpati Hall, Manhattan School of Music | New York City, NY
Link TBA
Conductor Rei Hotoda
Featured Artists and Works:
Grace Ann Lee
Marie Douglas
Cheng Jin KOH
Lavell Blackwell
Shawn Johnson
Arjan Singh
Mentor Composers:
Curtis Stewart
June 5, 2025
EarShot Readings: American Composers Orchestra
Neidorff-Karpati Hall, Manhattan School of Music | New York City, NY
June 5–6, 2025
EarShot Readings: American Composers Orchestra
Neidorff-Karpati Hall, Manhattan School of Music | New York City, NY
Conductor Rei Hotoda
Featured Artists and Works:
Grace Ann Lee
Marie Douglas
Cheng Jin KOH
Lavell Blackwell
Shawn Johnson
Arjan Singh
Mentor Composers:
Curtis Stewart
June 6, 2025
EarShot Readings: American Composers Orchestra
Neidorff-Karpati Hall, Manhattan School of Music | New York City, NY
Wednesday, October 29, 2025 at 7:30 PM
American Composers Orchestra
Zankel Hall, Carnegie Hall | New York City, NY
Link TBA
The New Virtuoso: For Art’s Sake features works that utilize newly created instruments and sonic media to explore symphonic texture. Spanning the use of sculptures that move and sonically react to their environments; graphic scores; gestural conduction; a survey of contemporary techniques for traditional instruments; the fashioning of instruments based on composers’ unique cultural backgrounds, these artists’ sense of design propels them into new compositional spaces.
Lucy Gibbon, Soprano
Mélisse Brunet, Conductor
Daniel Rozin, Responsive Sculptures
The New Virtuoso: For Art's Sake
RAVEN CHACON, Inscription (NY Premiere, ACO Co-commission, developed via EarShot CoLABoratory)
TAMAR MUSKAL, Square Off for Voice and Mirror with Responsive Sculptures (World Premiere, ACO Commission)
ELIJAH DANIEL SMITH, Horizon of Closure (World Premiere, ACO Commission)
MAZZ SWIFT, Memory FIVE: Freedom Initiate (ACO Commission, developed via EarShot CoLABoratory, World Premiere)
AARON ISRAEL LEVIN, Multiverse verse chorus bridge verse chorus chorus (ACO Commission, World Premiere)
The New Virtuoso: For Art’s Sake features works that utilize newly created instruments and sonic media to explore symphonic texture. Spanning the use of sculptures that move and sonically react to their environments; graphic scores; gestural conduction; a survey of contemporary techniques for traditional instruments; the fashioning of instruments based on composers’ unique cultural backgrounds, these artists’ sense of design propels them into new compositional spaces.
January 26-30, 2026
EarShot Readings: Lawrence University Symphony Orchestra
Appleton, WI
TBD, Conductor
Featured Artists and Works: TBD
Mentor Composers:
Joanne Metcalf
Asha Srinivasan
Marcos Balter
January 26-30, 2026
EarShot Readings: Lawrence University Symphony Orchestra
Appleton, WI
TBD, Conductor
Featured Artists & Works: TBD
Mentor Composers: Joanne Metcalf, Asha Srinivasan, & Marcos Balter
American Composers Orchestra
Zankel Hall, Carnegie Hall | New York City, NY
Link TBA
Commemorating the 250th anniversary of the Declaration of Independence, we focus on artists’ musical open letters to America, which reflect narratives around the summer homes of turn-of-the-century Black folk; dreams; unspoken emotions; rituals of celebration; and the connection between the historic and current patriotism of Black American women.
Karen Slack, soprano
Amanda Goookin, cello
Cynthia Yeh, percussion
Carolyn Kuan, conductor
Hello, America: Letters to Us, from Us
JOSEPH PHILIPS, We hold these truths (ACO Commission, developed via EarShot CoLABoratory)
BRITTANY GREEN, Letters to America (ACO Co-commission, developed via EarShot CoLABoratory)
KITE, Wičhínčala Šakówin (ACO Commission, developed via EarShot CoLABoratory)
SHELLEY WASHINGTON, Haymaker (ACO Commission, developed via EarShot CoLABoratory)
JESSIE MONTGOMERY, Procession (arrangement)
Commemorating the 250th anniversary of the Declaration of Independence, we focus on artists’ musical open letters to America, which reflect narratives around the summer homes of turn-of-the-century Black folk; dreams; unspoken emotions; rituals of celebration; and the connection between the historic and current patriotism of Black American women.