Kebra-Seyoun Charles
The Work
Premiere: October 30, 2024
Zankel Hall at Carnegie Hall
Bass Concerto (Nightlife)
From the composer: The piece combines multiple styles and genres; a language I call counter-classicism. Mirroring the way people listen to music today, I seamlessly move between genres and rhythms, a quality that likens this piece to a playlist. I compose on the train often where I listen to music from Korngold, Mahler, and Bach. Bass Concerto, subtitled Nightlife, is an exploration of a core tenet of music: dance. Throughout history, music has been used for dance, with classical music no expectation. I take forms like the French Baroque Overture and infuse them with modern genres like house music, jazz, and especially gospel.
This piece is published via EarShot Publishing. A version for youth orchestra and supporting educational materials are also available. Visit EarShot Publishing to learn more.
Recent Work
Lead support for EarShot CoLABoratory is generously provided by TD Charitable Foundation, Altman Foundation, Jerome Foundation, The New York Community Trust Van Lier Fellowships, and the Virginia B. Toulmin Foundation.