July 23, 2009
5 min read

A great experience

Just a quick note to say how much I learned from the Earshot readings with the CSO. I am still sorting through all of the feedback from the mentor composers, conductors, and orchestra musicians, and thinking hard about how to apply all of this information to my next orchestral piece!


I am so thankful for the amazing support we had at the readings. The organization of the readings was pretty much flawless, so special thanks to everyone who made that happen. Specifically, I'd like to thank the ACO folks (Michael Geller, John Glover, Jenny Kampmeier, and Lyn Liston), Ed Harsh from Meet the Composer, Alberto Gutierrez and Jessie Arian from the CSO, and of course the musicians of the CSO!


I thought Robert Beaser, Derek Bermel, and Roberto Sierra were really impressive - I knew they were very good composers, but I was grateful for their thoughtful analysis/criticism of the pieces, which is not always guaranteed with "well-known" composers.


I can hardly imagine more dedicated conductors than David Gier and Fergus Macleod. It was a pleasure working with Fergus on my piece, and I am still pondering some of the advice/comments that both conductors made about the four pieces, and about writing for the orchestra in general.


Finally, thanks to Angel, Jeremy and Yotam! Though all four of us seem to be quite different aesthetically, I also feel a "kinship" with you. I enjoyed getting to know your pieces, and am looking forward to hearing more of your music!


-Tim Sullivan


American Composers Orchestra is grateful to the many organizations that make its programs possible including Arthur F. & Alice E. Adams Charitable Fund, Altman Foundation, Amphion Foundation, Benevity, Aaron Copland Fund for Music, BMI Foundation, BMI, Inc., Charity Navigator's Giving Basket, Cheswatyr Foundation, Edward T. Cone Foundation, Communities Foundation of Texas, The Gladys Krieble Delmas Foundation, Alice M. Ditson Fund of Columbia University, Fan Fox and Leslie R. Samuels Foundation, Ford Foundation’s Good Neighbor Committee, Give Lively, Francis B. Goelet Charitable Trust, Fromm Music Foundation, Steven R. Gerber Trust, G. Schirmer/Wise Music Foundation, The Hearst Foundation, Howard Gilman Foundation, The Adele and John Gray Endowment Fund, Jephson Educational Trusts, Jerome Foundation, MacMillan Family Foundation, Mellon Foundation, New Music USA’s Organization Fund, The New York Community Trust (Musical Arts Fund, Clara Lewisohn Rossin Trust, and Edward and Sally Van Lier Fund), Pacific Harmony Foundation, Paypal Giving Fund, Rexford Fund, Sphinx Venture Fund, TD Charitable Foundation, Turrell Fund, UKOGF Foundation, Virginia B. Toulmin Foundation.

Corporate gifts to match employee contributions are made by Goldman Sachs, Deutsche Bank, Triton Container International Incorporated of North America, and Neiman Marcus.

Public funds are provided by the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, Office of Brooklyn Borough President Reynoso, and the National Endowment for the Arts.

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