News & Insights
9 Composers Selected for two EarShot Readings + Sphinx Venture Fund Grant
ACO Seeks 4 Paid Interns: Composer Advancement, Artistic Programming, Marketing & Social Media, and Development
ACO Seeks 4 Paid Interns: Composer Advancement, Artistic Programming, Marketing & Social Media, and Development
Favorite ACO Memories from 2022
GRAMMY-Nominated Violinist/Composer Curtis Stewart Appointed as ACO's New Artistic Director
ACO Seeks Program Manager
American Composers Orchestra announces Spring 2023 EarShot Readings
Concert Review: The Natural Order - 10/20/22
Composer Spotlight: Viet Cuong + Sandbox Percussion in conversation with Garrett McQueen
American Composers Orchestra Announces 24/25 Season
New York, NY (August 1, 2024) – Hailed as an “essential organization” (The New York Times) with “an expansive vision of orchestral composition” (Represent Classical), the American Composers Orchestra (ACO) announces its 2024-2025 season highlights. This upcoming season brings ACO’s annual series presented by Carnegie Hall, including The New Virtuoso: Borders, led by Mei-Ann Chen, featuring works that question the nature and effect of political, gender, and ecological borders by Michael Abels, Kebra-Seyoun Charles, Curtis Stewart, Paul Novak, and Victoria Polevá, performed by Mak Grgić, Inbal Segev, Kebra-Seyoun Charles, and Curtis Stewart; and Hello, America: Transatlantic, which features music from various parts of Latin America and examines its influence on jazz and “classical” music in the U.S., including ACO commissions from Clarice Assad, Edmar Castañeda, and Tomàs Peire Serrate; interactive live performances of Austin Wintory’s GRAMMY®-Nominated Score for video game Journey at BAM (Brooklyn Academy of Music) presented by Ode to Joy; as well as national EarShot Readings, regional orchestral premieres of the Virginia B. Toulmin Foundation Orchestral Commission works, and the support of three newly-announced New York Community Trust Van Lier Fellows.
American Composers Orchestra Announces 24/25 Season
New York, NY (August 1, 2024) – Hailed as an “essential organization” (The New York Times) with “an expansive vision of orchestral composition” (Represent Classical), the American Composers Orchestra (ACO) announces its 2024-2025 season highlights. This upcoming season brings ACO’s annual series presented by Carnegie Hall, including The New Virtuoso: Borders, led by Mei-Ann Chen, featuring works that question the nature and effect of political, gender, and ecological borders by Michael Abels, Kebra-Seyoun Charles, Curtis Stewart, Paul Novak, and Victoria Polevá, performed by Mak Grgić, Inbal Segev, Kebra-Seyoun Charles, and Curtis Stewart; and Hello, America: Transatlantic, which features music from various parts of Latin America and examines its influence on jazz and “classical” music in the U.S., including ACO commissions from Clarice Assad, Edmar Castañeda, and Tomàs Peire Serrate; interactive live performances of Austin Wintory’s GRAMMY®-Nominated Score for video game Journey at BAM (Brooklyn Academy of Music) presented by Ode to Joy; as well as national EarShot Readings, regional orchestral premieres of the Virginia B. Toulmin Foundation Orchestral Commission works, and the support of three newly-announced New York Community Trust Van Lier Fellows.
American Composers Orchestra Announces 24/25 Season
New York, NY (August 1, 2024) – Hailed as an “essential organization” (The New York Times) with “an expansive vision of orchestral composition” (Represent Classical), the American Composers Orchestra (ACO) announces its 2024-2025 season highlights. This upcoming season brings ACO’s annual series presented by Carnegie Hall, including The New Virtuoso: Borders, led by Mei-Ann Chen, featuring works that question the nature and effect of political, gender, and ecological borders by Michael Abels, Kebra-Seyoun Charles, Curtis Stewart, Paul Novak, and Victoria Polevá, performed by Mak Grgić, Inbal Segev, Kebra-Seyoun Charles, and Curtis Stewart; and Hello, America: Transatlantic, which features music from various parts of Latin America and examines its influence on jazz and “classical” music in the U.S., including ACO commissions from Clarice Assad, Edmar Castañeda, and Tomàs Peire Serrate; interactive live performances of Austin Wintory’s GRAMMY®-Nominated Score for video game Journey at BAM (Brooklyn Academy of Music) presented by Ode to Joy; as well as national EarShot Readings, regional orchestral premieres of the Virginia B. Toulmin Foundation Orchestral Commission works, and the support of three newly-announced New York Community Trust Van Lier Fellows.