From Infinity

From infinity for orchestra is an imaginary perspective of an unreal landscape. The work is mainly composed by the juxtaposition and contraposition of colorful textures that present different points of view of this temporal reality. The unreal landscape is inspired by the question “What would be our reaction if we could see our planet, our home, our bodies from a long distance?” As an answer, I created a nonexistent plane that will take us from common spaces to distorted atmospheres. Floating bright and suspended patterns and textures represent a sort of spatial aloneness. On the other hand, a fanfare-like texture evokes a kind of human spirit that is full of energy, unstable and heavy. The first sketch of the piece was composed in Bogotá in 2015, and it was finished one year later in New York City in 2016.