EarShot: Oregon Symphony
April 18-20, 2022
Raúl Gómez-Rojas, Conductor
Mentor Composers: Andy Akiho, Kenji Bunch, Andreia Pinto Correia
Participants: Andrea Chamizo Alberro, Nicolas Chuaqui, Horacio Fernández Vázquez, Marisol Gentile
About the Composers

Andrea Chamizo Alberro (México, 1988) studied composition and music theory at Center for Music Studies and Research (CIEM) at Fellowship level and obtained the FLCM Diploma awarded by the London College of Music. Read More
She has been beneficiary of the Young Creators Grant 2020, awarded by the National Fund for Culture and Arts (FONCA), and also the Arturo Márquez Composition Grant 2018, awarded by the National University of Mexico (UNAM). Some of her works have been selected and performed in Mexico, Canada, USA, Wales and Ukraine, in festivals such as Manuel Enriquez New Music Forum, Arcomis International Brass Event, and in the KLK New Music Forum, and her work “Soy Desierto” had a Special Mention in the Arturo Márquez Composition Contest 2019 for Chamber Orchestra. Her music has been performed by ensembles such as CEPROMUSIC Ensemble, the Arcano String Quartet, the Sonora Philarmonic Orchestra, the Aurora Piano Quartet, the Wapiti Ensemble, the Lemberg Sinfonietta, and she has participated in composition workshops with mexican pianist Mauricio Náder, the Mexico City Woodwind Quintet, as well as violinist Irvine Arditti. She is also professor at CIEM, where she gives Piano, Practical Harmony, Orchestration and Development Techniques lessons at licenciate level, and she is first clarinet in the Symphonic Orchestra of the University of Mexico City (SUACM).

Praised for his “sharp and precise imagery” (The Utah Review), Nicolas Chuaqui has been recognized as a composer of emotional depth and imagination. Most recently, he was a winner of the 2020 Khorikos ORTUS International New Music Competition, one of four finalists for the ASCAP/SEAMUS (Society for Electroacoustic Music in the US) Student Commissioning Prize, and winner of the Bernard Rogers Prize from the Eastman School of Music for his orchestral work Cantus. Read More
Chuaqui composes music for a broad range of performers and venues, all of which is influenced by his background as a performer and his fascination with musical memory, time, and impression. His chamber music has been heard at venues such as June in Buffalo and the Deer Valley Festival, and has been performed by the Arditti Quartet, Ensemble Signal, OSSIA New Music, and many others. His electroacoustic music has been featured at a range of festivals that include the International Computer Music Conference, NYC Electroacoustic Music Festival, and Diffrazioni Multimedia Festival (Florence, Italy). His vocal music has been awarded by various organizations, and his first opera, The Forest of Dreams, received a fully-staged premiere by New Voices Opera in 2016. Chuaqui has taught composition at the University of Wyoming and served as an instructor in both composition and theory at the Eastman School of Music, where he received his doctorate in composition. His primary teachers there were Carlos Sanchez-Gutierrez, David Liptak, and Robert Morris. He also holds degrees from Indiana University and Dartmouth College.

Horacio Fernández Vázquez, who goes by the stage name Horatio on the Beat, is a classical composer by day and an urban music producer by night. He writes music that embraces and fuses urban and western classical traditions, particularly those coming from Latin America. Read More

Marisol Gentile (b. 1972) is an Argentinean conductor, composer, violist/violinist and soprano, who hails from the city of Rosario. Her catalog includes more than 120 works for solo instruments, chamber groups, symphonic orchestra with and without soloists, and works for a cappella mixed choir and with instrumental accompaniment. Her compositions have won competitions in Argentina and abroad, including the “Creation Stimulus Award” awarded by the SGAE Foundation on more than 10 occasions and the Distinction of the 1st Municipal Prize from the Buenos Aires City Government, which is a composition life grant. Read More
Currently, she is the conductor for Agrupación Instrumentalia (a Baroque group she founded in 2006), Orquesta de Cámara de la Secretaría de Extensión de la UNR, Camerata de cuerdas de la Municipalidad de Victoria, the mixed chamber choir Los Fulanos, and many others. Gentile founded the Ensamble Rosario and Center for Studies for the Diffusion of Contemporary Music in 1997 to champion the work of living composers. The Center provides an orchestra library of over 1,500 scores, a sound library, courses in composition, contests, recording opportunities, and symposiums for contemporary music lovers and composers. The Orquesta del Ensamble Rosario, led by Gentile, has performed over 350 works by living composers from around the world. She is a member of different groups as a violinist, violist and soprano. She holds a Masters degree from the National University of Rosario, where she now teaches composition, harmony, and counterpoint.