22nd Annual Underwood New Music Readings and Commission
April 8-10, 2013
Up to six composers in the early stages of their careers will be selected to participate. One will be awarded a $15,000 commission to write a new work to be performed by ACO. There are no age restrictions; however, applicants should be at the early stages of their professional careers. Each composer may submit only one composition for consideration. Only works that will not have been performed or read by a professional orchestra nor received a public performance prior to the reading date are eligible. Do not submit recordings. Only works completed after January 1, 2008, will be considered. Compositions should be up to 15 minutes in length. Shorter works, or a portion or movement from longer works, will also be considered. Maximum instrumentation is: Winds 3*3*3*3*; Brass 4.3*3*1; Timpani + 4 Percussion, Harp, Keyboard; and Strings 10.8.6.6.4. (Standard orchestral doublings are permitted.) Works requiring soloists will not be considered. If selected, composers must provide professional, legible orchestral parts and scores prepared according to guidelines established by the Major Orchestral Librarians Association (MOLA) by March 1, 2013. MOLA guidelines can be found at:
http://www.mola-inc.org/MOLAGuidelinesText.htm The quality of the score submitted is the primary evaluation criteria. It is therefore in the applicant’s best interest that the score be clear and accurate. Works employing electronics, MIDI, digital technology, and/or sound reinforcement in combination with the above instrumental forces will NOT be considered, neither will incomplete, illegible, or late applications. Composers who have applied previously for an UNMR are eligible to apply. However you must submit a new, complete application, including score and all required background information. Please contact the American Composers Orchestra with any questions concerning eligibility.
At the Readings, composers will meet with ACO artistic staff and orchestra members—including conductor and music director George Manahan, artistic director Robert Beaser and mentor composer Christopher Theofanidis. The Readings are professionally recorded, and each composer is given a high-quality audio recording to be used for study purposes. Composers also participate in a series of professional development workshops covering such topics as promotion, score preparation, copyright and commissioning agreements, and other career essentials. Participants’ travel expenses are provided.
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