Q&A with Composer Keane Southard
Composer Keane Southard’s Symphony 2: Movement 1was selected for the 2020 Underwood New Music Readings,…
Q&A with Composer Anthony R. Green
Composer Anthony R. Green’s Peace Till We Meet Again was selected for the 2020 Underwood New Music…
Q&A with Composer Dai Wei
Composer Dai Wei’s piece Saṃsāric Dance was selected for the 2020 Underwood New Music Readings, where it…
Q&A with Composer Paul Novak
Composer Paul Novak’s piece as the light begins to drift was selected for the 2020 Underwood New…
Q&A with Composer Sakari Dixon Vanderveer
Composer Sakari Dixon Vanderveer’s piece The Castle Upon Crystal Shores was selected for the Buffalo Philharmonic Orchestra EarShot…
Q&A with Composer SiHyun Uhm
Composer SiHyun Uhm’s piece Ladybug in the Room was selected for the Buffalo Philharmonic Orchestra EarShot New Music…
Q&A with Composer Sid Richardson
Composer Sid Richardson’s piece Door to the River was selected for the Buffalo Philharmonic Orchestra EarShot New Music…
Q&A with guitarist JIJI
Applauded by the Calgary Herald as “…talented, sensitive…brilliant,” JIJI is an adventurous artist on both acoustic and…
Jamie Barton and Charles Ives
New England Echoes, American Composers Orchestra’s upcoming concert at Carnegie Hall, is a celebration of composers…
Orchestrating Ives
New England Echoes, American Composers Orchestra’s upcoming concert at Carnegie Hall, is a celebration of composers…
Q&A with composer Hilary Purrington about new concerto Harp of Nerves
ACO presents the world premiere of Hilary Purrington’s concerto for guitar and orchestra, Harp of Nerves,…
Building Bridges: Mentoring American Composers from Mexico and the United States
Next week I’m heading to ACO’s first EarShot south of the border, in Aguascalientes Mexico!…
