|Vocalist and Composer Theo Bleckmann|
Theo Bleckmann: The inspiration behind this piece was the recent death of two close friends. The idea that we exist one day and are completely gone the next really hit me hard. Whatever one believes in, the mere fact of dying on earth suddenly seemed like a magic trick to me. How could we be so present and real one moment, and irrevocably gone the next? I found there to be a strange beauty. I wanted to write an exuberant piece of celebration, not a dirge.
ACO: Did you encounter any unusual challenges in writing this work? If so what were they and how did you resolve them?
TB: This is my first commission for large orchestra, so I had to really familiarize myself with instruments I had never written for before. Some of them came easier to me, like the tuba e.g., others I had to research quite extensively and really figure out what is feasible and what is too ambitious. Composer and orchestrator Kirk Nurock was very helpful in this process, as I went to take lessons with him, especially for this piece. I also talked to friends who are virtuosos on their instruments. I consulted with them about all kinds of details and asked them to play sections for me to hear – it was very tempting to write endless extended techniques, especially considering the high caliber of players in ACO, but somehow the piece wanted to be much simpler and less oblique – more like a dance – so I followed that.
ACO: You describe My Brightest Garment as “an orchestral song about death as a vanishing act, a magic trick of sorts; pondering the ‘now you see it – now you don’t’ aspect, while wearing the most beautiful, brightest garment to pull it off.” How will your use of live electronic processing help achieve this concept in your piece?
ACO: What should the audience listen for during your piece?
TB: There is no homework or checklist for this piece. I hope for the listener to enjoy it and relax into the music, be surrounded and immersed by the sounds and words.